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55 Orchard Street, New York, New York 10002 212 989 5467 fax 212 989 5642
 
 

Jim Dingilian
February 17 - March 19, 2005



This show contains two types of non-traditional work, both of which use an erasure process in their creation. The first group is permanent marker drawings on salvaged school desktops, which depict peripheral or transitional exterior spaces such as the edges of parking lots and fields. The second group is altered found photographs, the surfaces of which have been reduced to intricate, abstract patterns and linear forms using a resistive coating and bleach solution. All the works are connected by their allusions to photography’s role in memory and sentimentality. They refer to the ability of photographs to capture supposedly factual indicators of elusive instants. This aspect is underscored by Dingilian’s use of found objects as his grounds, which have time-worn patinas and scars that suggest personal histories now lost or forgotten.
 
  Jim Dingilian, The Open Field
The Open Field, 2004
Permanent marker on school desktop
17 1/2 x 23 1/2 inches
Jim Dingilian, The Nighttime Approach
The Nighttime Approach, 2005
Permanent marker on school desktop
17 3/8 x 23 3/4 inches
Jim Dingilian, The Trans Am Afternoon
The Trans Am Afternoon, 2005
Permanent marker on school desktop
17 3/4 x 23 3/4 inches
  Jim Dingilian, Overpass (Velvet Twilight
Overpass (Velvet Twilight), 2005
Permanent marker on school desktop
17 3/4 x 23 3/4 inches
Jim Dingilian, The Very Moment (Backdoor)
The Very Moment (Backdoor), 2005
Permanent marker on school desktop
17 3/4 x 23 3/4 inches
Jim Dingilian, The Daylight Approach
The Daylight Approach, 2004
Permanent marker on school desktop
17 1/2 x 23 1/2 inches
  Jim Dingilian, We Never Went Back
We Never Went Back, 2004
Permanent marker on school desktop
17 3/8 x 23 3/4 inches
Jim Dingilian, Divide
Divide, 2004
Selectively bleached found photograph
9 7/8 x 7 7/8 inches
Jim Dingilian, Silver Cup
Silver Cup, 2004
Selectively bleached found photograph
7 x 9 3/8 inches
  Jim Dingilian, Unquiet Pool
Unquiet Pool, 2004
Selectively bleached found photograph
6 1/2 x 8 3/8 inches
Jim Dingilian, Veranda
Veranda, 2004
Selectively bleached found photograph
6 1/2 x 8 3/8 inches
Jim Dingilian, Miasmatic
Miasmatic, 2005
Selectively bleached found photograph
9 15/16 x 7 7/8 inches
  Jim Dingilian, The Cloud
The Cloud, 2004
Selectively bleached found photograph
7 1/4 x 5 1/4 inches
Jim Dingilian, The Barksdale Protocol
The Barksdale Protocol, 2004
Selectively bleached found photograph
4 3/4 x 7 inches
Jim Dingilian, Momentary Progress
Momentary Progress, 2004
Selectively bleached found photograph
6 13/16 x 4 3/4 inches
  Jim Dingilian, The Dinner Party
The Dinner Party, 2004
Selectively bleached found photograph
5 x 7 inches
Jim Dingilian, Untitled JD10051
Untitled, 2004
Selectively bleached found photograph
7 x 4 11/16 inches
Jim Dingilian,The Dinner Party (Fragment)
The Dinner Party (Fragment), 2004
Selectively bleached found photograph
5 X 7 inches
  Jim Dingilian, Roil
Roil, 2004
Selectively bleached found photograph
5 1/4 x 3 5/16 inches
Jim Dingilian, The New Now
The New Now, 2004
Selectively bleached found photograph
3 5/8 x 5 5/8 inches
Jim Dingilian, Associative
Associative, 2004
Selectively bleached found photograph
4 3/8 x 5 7/8 inches
  Jim Dingilian, Hodge-Podge
Hodge-Podge, 2004
Selectively bleached found photograph
3 3/8 x 4 3/4 inches
Jim Dingilian, Untitled JD10041
Untitled, 2004
Selectively bleached found photograph
2 3/4 x 4 1/2 inches
Jim Dingilian, Furnace
Furnace, 2004
Selectively bleached found photograph
4 x 2 3/4 inches
  Jim Dingilian, Untitled JD10043
Untitled, 2004
Selectively bleached found photograph
4 3/16 x 2 7/8 inches
Jim Dingilian, Untitled (Traveler)
Untitled (Traveler), 2004
Selectively bleached found photograph
2 11/16 x 2 11/16 inches
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55 Orchard Street, New York, New York 10002 212 989 5467 fax 212 989 5642
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