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55 Orchard Street, New York, New York 10002 212 989 5467
 
 

Deborah Zlotsky: Today is Yesterday and Tomorrow
March 31 - May 7, 2023



Deborah Zlotsky’s lively oil paintings are composed of vivid, curving geometries combined with stripes, some broad, others narrow, arranged horizontally or vertically. Some bands end abruptly, while others continue their movement, weaving through the composition. Sharp, saturated colors alternate with softer, muted sections, while flat passages can become unexpectedly dimensional, volumetric and weighty, with playful blips and bulges. Although predominantly frontal and set in a shallow space, the paintings usually maintain a figure/ground relationship. Colorful forms may angle suddenly to create depth, only to flatten again; drips, smears, and stains imply the passage of time. Careful looking reveals trompe l’oeil elements, such as string and stitched thread that encircle and bind the compositional parts.   

The blur of time and history, both personal and historical, informs these recent paintings. They are an expression of the artist’s experiences growing up Jewish and her awareness of how this part of her identity shapes her understanding of past and present, especially in light of rising anti-Semitism. Her paintings incorporate an engagement with the visual language of graphic patterns and emblems, such as the stripes of prison garb and tallit (prayer shawls), as seen in her painting, Stacked. Others refer to the visual symbol chai (Hebrew for “life”) or, in the more intimate painting, Shiva, seven stitches of thread refer to the seven days of mourning. Several works express the interconnectivity of family and generational ties, while the Diaspora paintings convey the idea of movement and variation within a tightly circumscribed system. Zlotsky notes that “...abstraction is a language to tell a story obliquely, to offer a narrative in plain sight.”   

Deborah Zlotsky has a B.A. in the History of Art from Yale University and an M.F.A. in Painting and Drawing from the University of Connecticut. She has exhibited her work in solo and group gallery and museum shows throughout the United States for the past twenty years. Zlotsky has been awarded fellowships from the Guggenheim Foundation (2019) and NYFA (2012 and 2018) and residencies at Yaddo, MacDowell, and the Bogliasco Foundation, among many others. Her work is held in numerous public and institutional collections, including the Albany Institute of History and Art in New York, the William Benton Museum of Art, CT, the Frances Tang Teaching Museum, NY, the Rhode Island School of Design Museum, and the Borusan Collection, Istanbul. Zlotsky is Professor of Experimental and Foundational Studies at the Rhode Island School of Design. 
 
  Deborah Zlotsky, Ill-fated ancient symbol (1)
Ill-fated ancient symbol (1), 2023
Oil on canvas
14 x 11 inches
Deborah Zlotsky, Ill-fated ancient symbol (2)
Ill-fated ancient symbol (2), 2023
Oil on canvas
14 x 11 inches
Deborah Zlotsky, Great-great-great
Great-great-great, 2023
Oil on canvas
14 x 11 inches
  Deborah Zlotsky, Fiction/Non-fiction
Fiction/Non-fiction, 2023
Oil on canvas
12 x 12 inches
Deborah Zlotsky, Woven
Woven, 2023
Oil on canvas
12 x 12 inches
Deborah Zlotsky, Chai/Life (2)
Chai/Life (2), 2023
Oil on canvas
12 x 12 inches
  Deborah Zlotsky, Shiva
Shiva, 2023
Oil on canvas
20 x 20 inches
Deborah Zlotsky, Stars of David
Stars of David, 2023
Oil on canvas
20 x 20 inches
Deborah Zlotsky, Grandmother
Grandmother, 2022
Oil on canvas
20 x 20 inches
  Deborah Zlotsky, Stacked
Stacked, 2023
Oil on canvas
20 x 20 inches
Deborah Zlotsky, Stop me, oh, stop me
Stop me, oh, stop me, 2022
Oil on canvas
20 x 20 inches
Deborah Zlotsky, Bad listener
Bad listener, 2022
Oil on canvas
24 x 20 inches
  Deborah Zlotsky, Madonna and child (Bigfoot)
Madonna and child (Bigfoot), 2023
Oil on canvas
24 x 20 inches
Deborah Zlotsky, The Assimilationist's folly
The Assimilationist's folly, 2022
Oil on canvas
36 x 36 inches
Deborah Zlotsky, Fuckity fuck, fuck, fuck fuck
Fuckity fuck, fuck, fuck fuck, 2023
Oil on canvas
48 x 36 inches
  Deborah Zlotsky, Baggage
Baggage, 2022
Oil on canvas
36 x 36 inches
Deborah Zlotsky, Chai/Life
Chai/Life, 2023
Oil on canvas
48 x 48 inches
Deborah Zlotsky, Bandwidth
Bandwidth, 2022
Oil on canvas
36 x 36 inches
  Deborah Zlotsky, Diaspora 1
Diaspora 1, 2023
Oil on canvas
60 x 48 inches
Deborah Zlotsky, Diaspora 2
Diaspora 2, 2023
Oil on canvas
60 x 50 inches
Deborah Zlotsky, Diaspora 3
Diaspora 3, 2023
Oil on canvas
50 x 80 inches
  Deborah Zlotsky, Me for you and you for me alone
Me for you and you for me alone, 2023
Oil on canvas
60 x 48 inches
  Deborah Zlotsky, installation 1
Installation view
Deborah Zlotsky, installation 2
Installation view
Deborah Zlotsky, installation 3
Installation view
  Deborah Zlotsky, installation 4
Installation view
Deborah Zlotsky, installation 5
Installation view
Deborah Zlotsky, installation 6
Installation view
  Deborah Zlotsky, installation 7
Installation view
Deborah Zlotsky, installation 8
Installation view
Deborah Zlotsky, installation 9
Installation view
  Deborah Zlotsky, installation 10
Installation view
Deborah Zlotsky, installation 11
Installation view
Deborah Zlotsky, installation 12
Installation view
  Deborah Zlotsky, installation 13
Installation view
Deborah Zlotsky, installation 14
Installation view
Deborah Zlotsky, installation 15
Installation view
  Deborah Zlotsky, installation 16
Installation view
Deborah Zlotsky, installation 17
Installation view
Deborah Zlotsky, installation 18
Installation view
  Deborah Zlotsky, installation 19
Installation view
Deborah Zlotsky, installation 20
Installation view
Deborah Zlotsky, installation 21
Installation view
  Deborah Zlotsky, installation 22
Installation view
Deborah Zlotsky, installation 23
Installation view
Deborah Zlotsky, installation 24
Installation view
  Deborah Zlotsky, installation 25
Installation view
Deborah Zlotsky, installation 26
Installation view
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